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	<title>Comments on: Inlay Process Pictorial &#8211; The Ottoman Tray</title>
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	<link>http://thewoodwhisperer.com/inlay-pictorial/</link>
	<description>Education and entertainment for the modern woodworker.</description>
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		<title>By: Rob Young</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-45569</link>
		<dc:creator>Rob Young</dc:creator>
		<pubDate>Sat, 08 Aug 2009 03:12:28 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-45569</guid>
		<description>You can find even finer bits than 1/16&quot; at http://www.precisebits.com/gateways/EndMillsHome.htm

Need 1/64&quot; perhaps?  I&#039;ve used down to 1/32&quot; but had to be pretty careful about it, too much side load or feed rate will snap it off.  

Routers with the LEDs built into the base are great for this, you can really see what is happening.  If your router doesn&#039;t have the lighted base, look around for the cheap little goose-neck LED clip lights and work out a way to attach one to your router.

Also, a slick trick to give you more control of the router in this mode is to make a set of skis.  Fit two pieces of all-thread rod, use the largest diameter that will fit through the holes on the baseplate normally used for the edge guide.  Add washers and nuts so that you can clamp onto a set of skis/feet/outriggers made at least 1-1/2&quot; wide and with slots for the all thread to move up and down.  With the skis supporting the router off the workpiece (this is great for smaller workpieces) you don&#039;t need to worry about bobbling the router near an edge.  Take a little time and level the router before you start so the base is in contact with the workpiece and both skis are sliding along the table top to the sides of the workpiece.

Note, the router is not meant to slide along the all-thread.  Use the little thumb screws in the router base to lock the all-thread in place.

Also you can lock down one ski by holding it steady with your left (right) hand while moving the other ski with your right (left) hand.  With the skis well out from the bit, a large motion at the ski translates into a small motion at the bit.  Sort of a reverse pantograph.

I&#039;ve been using a 1/4&quot; sheet of melamine covered particle board to slide the skis around.  Double stick tape down the workpiece and the skis glide very nicely on the melamine.

This takes a lot more to describe than to do...</description>
		<content:encoded><![CDATA[<p>You can find even finer bits than 1/16&#8243; at <a href="http://www.precisebits.com/gateways/EndMillsHome.htm" rel="nofollow">http://www.precisebits.com/gat.....lsHome.htm</a></p>
<p>Need 1/64&#8243; perhaps?  I&#8217;ve used down to 1/32&#8243; but had to be pretty careful about it, too much side load or feed rate will snap it off.  </p>
<p>Routers with the LEDs built into the base are great for this, you can really see what is happening.  If your router doesn&#8217;t have the lighted base, look around for the cheap little goose-neck LED clip lights and work out a way to attach one to your router.</p>
<p>Also, a slick trick to give you more control of the router in this mode is to make a set of skis.  Fit two pieces of all-thread rod, use the largest diameter that will fit through the holes on the baseplate normally used for the edge guide.  Add washers and nuts so that you can clamp onto a set of skis/feet/outriggers made at least 1-1/2&#8243; wide and with slots for the all thread to move up and down.  With the skis supporting the router off the workpiece (this is great for smaller workpieces) you don&#8217;t need to worry about bobbling the router near an edge.  Take a little time and level the router before you start so the base is in contact with the workpiece and both skis are sliding along the table top to the sides of the workpiece.</p>
<p>Note, the router is not meant to slide along the all-thread.  Use the little thumb screws in the router base to lock the all-thread in place.</p>
<p>Also you can lock down one ski by holding it steady with your left (right) hand while moving the other ski with your right (left) hand.  With the skis well out from the bit, a large motion at the ski translates into a small motion at the bit.  Sort of a reverse pantograph.</p>
<p>I&#8217;ve been using a 1/4&#8243; sheet of melamine covered particle board to slide the skis around.  Double stick tape down the workpiece and the skis glide very nicely on the melamine.</p>
<p>This takes a lot more to describe than to do&#8230;</p>
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	</item>
	<item>
		<title>By: thewoodwhisperer</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-45208</link>
		<dc:creator>thewoodwhisperer</dc:creator>
		<pubDate>Sat, 25 Jul 2009 18:40:54 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-45208</guid>
		<description>First of all, you are not alone here William.  In fact the first time I published this article years ago, I referred to it as marquetry.  So here&#039;s how I think of it.  The process you see above it inlay.  That is, you create a recess in a surface and you inlay another piece of wood into that surface.

With marquetry, you are typically working with a sheet of veneer (shop sawn, or commercial).  It gets confusing because you are technically &quot;inlaying&quot; a thin piece of veneer into another thin piece of veneer.  But you will eventually take the whole sheet of veneer (with your design embedded in it), and veneer that to a substrate.  So with a technique like David teaches (double bevel marquetry), we are cutting two pieces of veneer at the same time at a slight angle so that the pieces will fit together perfectly, and the angle serves wedge the pieces together.  

Make sense?</description>
		<content:encoded><![CDATA[<p>First of all, you are not alone here William.  In fact the first time I published this article years ago, I referred to it as marquetry.  So here&#8217;s how I think of it.  The process you see above it inlay.  That is, you create a recess in a surface and you inlay another piece of wood into that surface.</p>
<p>With marquetry, you are typically working with a sheet of veneer (shop sawn, or commercial).  It gets confusing because you are technically &#8220;inlaying&#8221; a thin piece of veneer into another thin piece of veneer.  But you will eventually take the whole sheet of veneer (with your design embedded in it), and veneer that to a substrate.  So with a technique like David teaches (double bevel marquetry), we are cutting two pieces of veneer at the same time at a slight angle so that the pieces will fit together perfectly, and the angle serves wedge the pieces together.  </p>
<p>Make sense?</p>
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	<item>
		<title>By: william</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-45204</link>
		<dc:creator>william</dc:creator>
		<pubDate>Sat, 25 Jul 2009 10:57:23 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-45204</guid>
		<description>hey mark thanks for the help with this inlay technique. its awesome to personalize a regular piece of furniture with this technique. quick question mark, whats the difference between an inlay and marquetry? trying to find the difference but having trouble. and a video on this would be real awesome. i saw david marks had a quick video overview of his inlay class on youtube. but obviously doensnt show any technique. thanks again mark, really enjoy your hard work.
      -wil</description>
		<content:encoded><![CDATA[<p>hey mark thanks for the help with this inlay technique. its awesome to personalize a regular piece of furniture with this technique. quick question mark, whats the difference between an inlay and marquetry? trying to find the difference but having trouble. and a video on this would be real awesome. i saw david marks had a quick video overview of his inlay class on youtube. but obviously doensnt show any technique. thanks again mark, really enjoy your hard work.<br />
      -wil</p>
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		<title>By: Mitch Howard</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-43911</link>
		<dc:creator>Mitch Howard</dc:creator>
		<pubDate>Fri, 29 May 2009 09:11:16 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-43911</guid>
		<description>I just found it, so sorry to trouble you!</description>
		<content:encoded><![CDATA[<p>I just found it, so sorry to trouble you!</p>
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	<item>
		<title>By: thewoodwhisperer</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-39291</link>
		<dc:creator>thewoodwhisperer</dc:creator>
		<pubDate>Tue, 06 Jan 2009 03:39:50 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-39291</guid>
		<description>Unfortunately John, I have yet to make a video on inlay.  Its in the works though.  Definitely this year!

And inlay kits are ok, but I never really use them anymore.  I am a big fan of free-hand.  But if you have multiples of something to do, or if you need to make a more or less geometric shape, and inlay kit is a good idea.</description>
		<content:encoded><![CDATA[<p>Unfortunately John, I have yet to make a video on inlay.  Its in the works though.  Definitely this year!</p>
<p>And inlay kits are ok, but I never really use them anymore.  I am a big fan of free-hand.  But if you have multiples of something to do, or if you need to make a more or less geometric shape, and inlay kit is a good idea.</p>
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	<item>
		<title>By: John P</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-39289</link>
		<dc:creator>John P</dc:creator>
		<pubDate>Tue, 06 Jan 2009 02:10:55 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-39289</guid>
		<description>Did a show on inlay ever get made in 2008? I want to do an asian inspired jewlery box, with inlay similar to the side tabe you did, but use a similar design to the gadget station... make sense?

If you have comments regarding inlay kits I&#039;d appreciate that too - inlay is new to me !!

thanks for your thoughts.

John.</description>
		<content:encoded><![CDATA[<p>Did a show on inlay ever get made in 2008? I want to do an asian inspired jewlery box, with inlay similar to the side tabe you did, but use a similar design to the gadget station&#8230; make sense?</p>
<p>If you have comments regarding inlay kits I&#8217;d appreciate that too &#8211; inlay is new to me !!</p>
<p>thanks for your thoughts.</p>
<p>John.</p>
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	<item>
		<title>By: Denis Rezendes</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-25722</link>
		<dc:creator>Denis Rezendes</dc:creator>
		<pubDate>Tue, 01 Jul 2008 02:19:05 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-25722</guid>
		<description>i totally agree marc. i am working with free hand but i got the kit mainly for repeatability on not so complex parts. such as circles. i&#039;m working on the free hand skills though. just have to get a 1/16&quot; bit and maybe a couple of carving gouges for curves. all in time though. i think the job i am getting will help that along though ;)</description>
		<content:encoded><![CDATA[<p>i totally agree marc. i am working with free hand but i got the kit mainly for repeatability on not so complex parts. such as circles. i&#8217;m working on the free hand skills though. just have to get a 1/16&#8243; bit and maybe a couple of carving gouges for curves. all in time though. i think the job i am getting will help that along though ;)</p>
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	</item>
	<item>
		<title>By: thewoodwhisperer</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-25716</link>
		<dc:creator>thewoodwhisperer</dc:creator>
		<pubDate>Mon, 30 Jun 2008 23:45:53 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-25716</guid>
		<description>Hey Denis.  I actually learned how to inlay free-hand before I got my first inlay kit.  Oddly enough, I made an identical version of this same ottoman tray using the inlay kit.  If you can believe it, I really didn&#039;t enjoy the process at all and I haven&#039;t touched the kit since then.  Once you get comfortable with the free-hand technique, you will find the template system to be limiting and restrictive as well as tedious (at least I did).  And that second tray has rounded points, instead sharp points like this one does.  The templates do not allow you to create sharp points or tight curves, which can really limit your design options.</description>
		<content:encoded><![CDATA[<p>Hey Denis.  I actually learned how to inlay free-hand before I got my first inlay kit.  Oddly enough, I made an identical version of this same ottoman tray using the inlay kit.  If you can believe it, I really didn&#8217;t enjoy the process at all and I haven&#8217;t touched the kit since then.  Once you get comfortable with the free-hand technique, you will find the template system to be limiting and restrictive as well as tedious (at least I did).  And that second tray has rounded points, instead sharp points like this one does.  The templates do not allow you to create sharp points or tight curves, which can really limit your design options.</p>
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	<item>
		<title>By: Denis Rezendes</title>
		<link>http://thewoodwhisperer.com/inlay-pictorial/#comment-25715</link>
		<dc:creator>Denis Rezendes</dc:creator>
		<pubDate>Mon, 30 Jun 2008 23:26:46 +0000</pubDate>
		<guid isPermaLink="false">http://thewoodwhisperer.com/?p=940#comment-25715</guid>
		<description>cool. don&#039;t forget about inlay bit sets from rockler and lee valley.</description>
		<content:encoded><![CDATA[<p>cool. don&#8217;t forget about inlay bit sets from rockler and lee valley.</p>
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